Open Question: What does it mean to “pace yourself” in modern culture? Does it mean staying with something long enough, over time, to truly develop a relationship with the material and love it?
“There’s a willingness, there’s a faith, there’s a very, very magical alchemy that happens when somebody looks at something with enormous love and enormous passion—and it doesn’t matter what that material is. It can be a comic book page, it can be a silly story, and you don’t change it, but the way you look at it transforms it. Which is a very different exercise than postmodernism. Postmodernism or kitsch is me winking at you, saying ‘I know it’s silly, but I’m being ironic. I’m above the material.’ And for me, the transformative power of art is you are not above the material…
…I think it is amazing that I can travel with my iPad with thousands of movies. I think it is amazing that I can streamline thousands more. I think it is amazing that I can know what happened in far-flung countries, in one second. But it is up to us, as humans—one of our ethical tasks is to say, how am I going to pace myself? What am I focusing on? Because otherwise we live life in a blur. We’re texting and driving. So it is—media is not evil. The speed of media is not evil. What is toxic is that we don’t pace ourselves. That we’re not having dinner without texting; that we’re not capable of paying full attention to the moment we’re living. And that is true also of the cinematic discourse.”-Guillermo del Toro in an interview with Lauren Wilford, “Death is the Curator: An Interview with Guillermo del Toro.” Bright Wall / Dark Room. Issue 44. February 2017.
This whole interview is packed with wisdom and might change the way you think about culture, particularly film. Read it.