“Have I peaked?”Peaked
“A Life Embellished webcomic about the titular Alec Boop (nee Robbins) and his life being married to Betty Boop. Claimed to be based on Alec Robbins real life, and posted on his twitter account, the webcomic features Alec meeting (and usually having sex with) characters from various media, including Family Guy, The Sopranos and even Homestuck.
Has a spin-off flash game, Mr. Boop and the Curse of the Dinner Party/–TV Tropes, s.v. “Mr. Boop,” (accessed January 6, 2021), https://tvtropes.org/pmwiki/pmwiki.php/Webcomic/MrBoop
Sounds weird. Then, you go to the Mr. Boop website and see that Geocities aesthetic, and you wonder: Am I going to go deeper into this? Not today. Bookmarking for later (maybe).
“After an unexpected family tragedy, a reclusive high school student is forced to leave his home — only to face something much scarier: a reality where monsters are trying to wipe out humanity. Now he must fight alongside a handful of reluctant heroes to try and save the world before it’s too late. Now a Netflix Original Series.”—Sweet Home
Normal person + anonymity + audience = total fuckwad
I was reminded of this Penny Arcade strip recently. Thought I’d add to the blog as a more frequent reminder (tripped when people access it here and I look at the statistics for the week).
“In 1989, at the very end of the Cold War, a group of four prominent mainstream and alternative comic book writers and artists created a double volume graphic novel exposing the rampant injustices, assassinations, and terrorism facilitated by the CIA and its creatures worldwide, ostensibly to fight global communism in the years following World War II. This pair of books, sold under the shared title Brought To Light, came courtesy of one of the only justice movements since the Church Committee to successfully take on the American deep state and confront the CIA’s historical criminal behavior.”-Brought to Light is a graphic novel of two parts: Shadowplay — The Secret Team and Flashpoint — The La Penca Bombing
Shadowplay is by Alan Moore and “centers on an avatar of the CIA and American imperialism in the form of a maniacal, drunken bald eagle who ‘represent[s] the Company,’ the common sobriquet for the CIA, and who explains American intelligence interference abroad in terms of the brutality and murder necessary to protect American (business) interests.” Flashpoint provides the details of an assassination of a former Sandinista who has switched sides to join the Contras. However, he found the CIA’s involvement with the Contras troubling, and he was assassinated before he could reveal too much about the CIA and what became known as the “Iran-Contra affair” in the United States.
h/t We Are The Mutants.
“Hetalia: Axis Powers (Japanese: ヘタリア Axis Powers, Hepburn: Hetaria Akushisu Pawāzu) is a Japanese webcomic, later adapted as a manga and an anime series, by Hidekaz Himaruya. The series’ main presentation is as an often over-the-top allegory of political and historic events as well as more general cultural comparisons. Characters are personifications of countries, regions such as Hong Kong and micronations with little reference to other national personifications. Both positive and negative cultural stereotypes form part of each character’s personality.”-Wikipedia contributors, “Hetalia: Axis Powers,” Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Hetalia:_Axis_Powers&oldid=933897402 (accessed January 10, 2020).
New to me.
“Pluck, an irritable and featherless rooster, and his best pal, the awkwardly unsocialized but lovable teddy bear known as Fuzz, met long ago in a garbage truck. A tenuous if decidedly co-dependent friendship between Fuzz & Pluck followed, sending them on a series of not-so-heroic adventures. But now, we find them on a ramshackle barge, slowly drifting out to sea. How did they get there? How will they escape? The answer lies in the book’s title, but the true fun is in the Picaresque and often Swiftian adbsurdities that our heroes find themselves in along the way. Ted Stearn’s work is rich with pathos, wit, farce, existentialism and drama. Sometimes cruel but always funny, like a Winnie the Pooh for adults.”–The Moolah Tree published by Fantagraphics
Sold at “Winnie the Pooh for adults.”