I had forgotten about Remi Gaillard. I really do wish we saw more of this kind of thing in the world.
Pretty good collections of 1980’s bands
“DUST presents thought-provoking science fiction stories, exploring the future of humanity through the lens of science and technology.”
Meanwhile, on a Norm MacDonald tribute thread on Reddit, an exchange I think Norm would have appreciated.
“One of Hollywood’s leading visual effects designers since the 1970s, Tippett has just spent three decades directing his first feature film: Mad God, a gruesome animated fable wherein a mysterious spy must infiltrate the lower depths on a dangerous mission. It starts with one of the shirtier quotes from Leviticus, the Bible’s angriest book, before plummeting to the depths of a gory, dripping underworld. Think Dante via Ren and Stimpy, or Pasolini with stop motion animation…
…“When I was a young film-maker, Miloš Forman gave me the best advice I ever got, which was: ‘If you want to take a good shit, you’re going to have to eat well.’”-John Bleasdale, “‘I wouldn’t take my kids to this’: Star Wars’ Phil Tippett on his hellish animation Mad God.” TheGuardian.com. August 20, 2021.
“Instead, you watch this film to luxuriate in the exquisite grotesqueness Tippett dreams up and executes through a barrage of old-school filmmaking techniques: mixed media, stop-motion animation, modeling, silhouettes, and puppets—you name it. The sound design includes squishy noises as a sinister surgeon digs into intestines, and the cries of a genuine infant give voice to an alien baby in distress. Each subtle creak of our adventurer’s leather gloves and every measured breath through their gas mask sticks with you—the sound design equivalent of an earworm, I suppose. And sitting through this film on your couch (or in your theater seat for some lucky few) is like being guided through a gallery of lavish kinetic art pieces. The zoomed-out environments themselves are wallpaper-worthy whether Tippet has created a war-torn landscape midstorm, a speeding-by universe, or a room full of giants strapped to electric chairs being zapped to the point of soiling themselves incessantly. That last sequence is truly gross if you stop and think about it, but the sound design and visuals are stunning in the moment.”-Nathan Matisse, “Mad God: What happens when the best practical VFX artist, ever, writes a film?” Ars Technica. September 4 2021.
“Over the past several decades, studies examining the potential for meditation to curb mental anguish and increase wellbeing have yielded promising, if complicated, results. For patients, complications can arise when meditation is marketed as a ‘happy pill, with no side effects’. This commodification and oversimplification is at the root of a conundrum for Jay Sanguinetti and Shinzen Young, the co-directors of SEMA Lab (Sonication Enhanced Mindful Awareness) at the University of Arizona. In the early stages of developing a technology that they believe could lead to meditative states without the need to meditate – a Silicon Valley-ready concept if there ever was one – the duo now must navigate the intricate ethics of introducing such a powerful product to the world. This short film from The Guardian follows Sanguinetti and Shinzen in their quest to ‘democratise enlightenment’ via ultrasound technology, while also attempting to ensure that, when the time comes, it will be properly implemented as a therapeutic tool.”—Lina Lyte Plioplyte, “‘Meditation without meditating’ might be possible. Can it also be made ethical?” Aeon.com via TheGuardian.com. August 16, 2021.