“Monoskop, a wiki for the arts, media and humanities.”—https://monoskop.org/Monoskop
Looks interesting. I’m planning to check out updates via RSS feed.
“Buckslip is a weekly-ish email letter (with companion extra bits) in which a few friends wander through the fucked-up landscape of all that we’re living through together now, and weave a few sensemaking threads from what we find. It started with a media and culture focus, but over the years it’s grown into something not quite exactly that. There’s too much else going on.
“Not just internet culture, but Culture, given the internet,” as one astute reader put it, and we like that framing. We do this for love, and for our own understanding, but along the way we’ve found a likeminded community of people who seem to appreciate us working it out in front of them?–Buckslip
“As Gen-X women cross the Rubicon of perimenopause, they’re hungry for stories that reflect their experiences. Most OB-GYNs seem mystified by the particulars of menopause. Gwyneth Paltrow would like to Goop-ify it. Even Michelle Obama seems flummoxed by the contradictions of aging.
Enter Everything Is Fine, a new podcast co-hosted by Kim France and Tally Abecassis that nails the experience in all its highs and lows.
France, 56, has a long-running fashion and lifestyle blog called Girls of a Certain Age, and the sort of hip bona fides that only a career launched at Sassy can offer. Abecassis, 46, is a documentary filmmaker who produced the podcast First Day Back (which was featured here in 2017) and was the subject of its first season; she emailed France after reading the latter’s writing on the Cut about her time at Condé Nast (where she was the founding editor of Lucky), vanity, and dressing your age. The two women’s formidable skills as interviewers and journalists create a dynamic discussion boosted by guests like Darcey Steinke, Soraya Chemaly, Ada Calhoun, and Jane Larkworthy.
They have found themselves at the forefront of a new wave of media focused on the topic. “Somebody said to me, ‘It’s a trend,’ and I was like, ‘How could that be a trend?’ We’re here to stay,” Abecassis said. I talked to them about their podcast, ageism, women’s media, and more.-Jenni Miller, “Everything Is Fine Wants to Change How We Talk About Aging.” Vulture.com. April 17, 2020.
The Everything is Fine website has all the usual suspects to subscribe.
Beyond his Presidency, I suspect that Donald Trump will try to plug in to right wing radio and take over for Rush Limbaugh when he dies.
“Jellyfin is the volunteer-built media solution that puts you in control of your media. Stream to any device from your own server, with no strings attached. Your media, your server, your way.”–https://jellyfin.org/
Open Question: What does it mean to “pace yourself” in modern culture? Does it mean staying with something long enough, over time, to truly develop a relationship with the material and love it?
“There’s a willingness, there’s a faith, there’s a very, very magical alchemy that happens when somebody looks at something with enormous love and enormous passion—and it doesn’t matter what that material is. It can be a comic book page, it can be a silly story, and you don’t change it, but the way you look at it transforms it. Which is a very different exercise than postmodernism. Postmodernism or kitsch is me winking at you, saying ‘I know it’s silly, but I’m being ironic. I’m above the material.’ And for me, the transformative power of art is you are not above the material…
…I think it is amazing that I can travel with my iPad with thousands of movies. I think it is amazing that I can streamline thousands more. I think it is amazing that I can know what happened in far-flung countries, in one second. But it is up to us, as humans—one of our ethical tasks is to say, how am I going to pace myself? What am I focusing on? Because otherwise we live life in a blur. We’re texting and driving. So it is—media is not evil. The speed of media is not evil. What is toxic is that we don’t pace ourselves. That we’re not having dinner without texting; that we’re not capable of paying full attention to the moment we’re living. And that is true also of the cinematic discourse.”-Guillermo del Toro in an interview with Lauren Wilford, “Death is the Curator: An Interview with Guillermo del Toro.” Bright Wall / Dark Room. Issue 44. February 2017.
This whole interview is packed with wisdom and might change the way you think about culture, particularly film. Read it.
“Track media bias, credibility, authenticity, and politics in the press you read. Burst your filter bubble…
…Nobias was founded in 2017 with a mission to promoting responsible/inclusive technology to protect consumers from deceptive or misleading content on the internet. Along the way, we hope to help people understand the landscape of media bias and to give them the power over the algorithms that shape what they read and see online.”—No Bias
“Common Sense Media rates movies, TV shows, books, and more so parents can feel good about the entertainment choices they make for their kids. We offer the largest, most trusted library of independent age-based ratings and reviews. Our timely parenting advice supports families as they navigate the challenges and possibilities of raising kids in the digital age.”
“A four-part series on BBC authored by journalist and artist James Bridle examining how technology is changing visual culture.”