“I am troubled by how often people talk about likability when they talk about art.
I am troubled by how often our protagonists are supposed to live impeccable, sin-free lives, extolling the right virtues in the right order – when we, the audience, do not and never have, no matter what we perform for those around us.
I am troubled by the word “problematic,” mostly because of how fundamentally undescriptive it is. Tell me that something is xenophobic, condescending, clichéd, unspeakably stupid, or some other constellation of descriptors. Then I will decide whether I agree, based on the intersection of that thing with my particular set of values and aesthetics. But by saying it is problematic you are saying that it constitutes or presents a problem, to which my first instinct is to reply: I hope so.
Art is the realm of the problem. Art chews on problems, turns them over, examines them, breaks them open, breaks us open against them. Art contains a myriad of problems, dislocations, uncertainties. Doesn’t it? If not, then what?”-Jen Silverman, “Swimming in It: Art and (Im)Morality.” macdowell.org. April 21, 2022.