“…I resolved to send a postcard every Friday. I called it Postcard Friday…
Just as formal poetry shapes what the poet can say, the space on the back of the card constrains how I write. There’s room for four or five good sentences, maybe six if I write small…
…Since the back of a postcard is open to all, I figure my mail carrier may read it, as could anyone along its way, and once it reaches its destination, I can only assume the intended recipient won’t be the only one to read it. Other family members might; if it’s out on the coffee table, house guests too. This creates another problem writing a postcard: how to write something personal enough so the postcard isn’t fluff but not so personal as to be embarrassing when read by prying eyes.
My postcard writing has evolved from asking a series of questions to what I now think of as the snapshot postcard—a paragraph about the local barbershop, a few sentences about tasting aquavit at a Norwegian distillery, a story about sitting on the beach over the weekend. The snapshot shares a bit of life with the “wish you were here” implied. These snapshots are, of course, a fiction. They are constructed representations of life, not unlike a Facebook status update.”
Peter Wayne Moe, “Why I Write Postcards.” TheMillions.com. January 19, 2018.
Postcard Friday sounds like an idea worth trying.