“Erion’s family say they don’t resent Lladrovci for blackmailing them.
‘We begged as many Albanians in Syria as we could to bring Erion back,’
Suad Sadullahi, Erion’s cousin, told me. ‘We even asked Lavdrim
Muhaxheri. Fitim [Lladrovci] was the only one who agreed.’ Two weeks after Erion had been returned, Sadullahi travelled to Obilic to give Lladrovci the promised money. When they met, Sadullahi began to
appreciate why Lladrovci had turned to jihad. ‘I walked into
that house, took one look at that family – the unbelievable poverty of that family – and I remember thinking to myself: Fitim’s reasons for
joining the Islamic State had nothing to do with Islam.'”
—Alexander Clapp, “—Confessions of an Islamic State fighter.” 1843. [August 2019?]
So rare to have an article that presents an issue live the Islamic State from the perspective of a jihadi fighter.
“Salafistes is, from start to finish, a gruesome film. Originally shot in Timbuktu after the town fell under jihadist control in 2012, the documentary takes place over the course of four years—first, with live footage of life under Al-Qaeda in the Islamic Maghreb (AQIM) in Mali; later, using propaganda videos from the Islamic State in Iraq and Syria in 2014. Interspersed with the scenes of violence are rare interviews with some of salafism’s most prominent, and radical, theologians, including political leaders of Al-Qaeda in Mauritania and Mali, as they are asked a series of political and philosophical questions: How do you regard democracy? (“Against Islam.”) Women? (“Irrational, and half the worth of a man.”) Homosexuality? (“Against human nature.”) America? (“9/11 was deserved.”)”
—Maddy Crowell, “Salafistes.” The Point. April 9, 2019.
“A project to hand-transcribe the entire Qur’an according to historic Islamic traditions and to illuminate the text with relevant scenes from contemporary American life. Nine years in the making, the project was inspired by a decade of extended travel in Islamic regions of the world.”