“Although the age of community-based photography collectives and adequate funding for the arts is over, their principles are more salient than ever. As our lives become increasingly saturated with manipulative visual culture, questioning the social context of a constant stream of images could not be greater. By asking who images are currently produced for and for whom should they be produced, this forgotten history teaches us the power of inclusion, the importance of documenting community struggle and reinforces a belief in the camera as a universal tool for emancipation.”

-Clarlie Bird, “Flashing In Hackney: The Forgotten History Of London’s Radical Photography Collectives.” The Quietus. October 24, 2020.

Never really thought of photography as a tool for emancipation. Also, interesting to read about the Hackney Flashers as a precursor that led to the Guerrilla Girls, whom I had heard of before. Doing a quick Internet search, I came across this quote in a New York Times piece:

“‘Some of us wanted a piece of the pie, and some of us wanted to blow the whole pie up,’ Kahlo said. ‘We agreed to disagree.'”

–Melena Ryzik, “The Guerrilla Girls, After 3 Decades, Still Rattling Art World Cages.” The New York Times. August 5, 2015.

The fuller article and the focus on counting as a means of highlighting inequality is worth thinking on.