“Censorship is alive and well over at Amazon Kindle. Last time it was our scholarly edition of the rare 1881 Victorian gay text Sins of the Cities of the Plain, which they banned for several years. Now they’ve banned the ebook of John Blackburn’s 1972 horror novel Devil Daddy, while refusing to explain why. At Amazon, any book can be blocked from sale at some random employee’s whim, with no right of appeal. Please remember that you have a choice of where to shop, and all our ebooks are available on our site, as well as Nook, Kobo and iTunes.
If you can’t zoom in on the screenshot below, here is the email from Amazon:
“As stated in our content guidelines, we reserve the right to determine what content we consider to be appropriate. This content includes both the cover art image and the content within the book. We’re unable to elaborate further on specific details regarding our content guidelines…”
I should have known. But, this is the first time I’ve heard of Amazon censoring books. When the largest retailer of book refuses to carry particular titles, especially ones that are controversial in some way, it cheapens the public discourse. Devil Daddy may not be to the taste of the average American, but the average American’s taste and community standards is a horrible basis for content guidelines.
“It’s easy to forget that the female writers of Engel’s generation are telling their stories after generations of mothers and grandmothers (and Aunt Ednas whose ‘talent was slicing in half slices of sliced store bread’) said nothing. This was not simply a matter of oppression, it was a deep and violent sense of propriety that her generation, just as violently, was trying to cut out. More than one Engel protagonist speaks of her ‘stiff pudeur’, which sounds like a little pussy wearing a crinoline, dancing with herself in a ballroom. The books are in hand-to-hand combat against that, and ultimately they are a triumph. People like Engel write books not to shock society but to free themselves, to violate some inner constraint that makes the agreed on forms of living unbearable…
…Much of women’s work is what allows life to continue. The rest is like … Windexing the veneer of civilisation every morning to keep it shiny, or cooking Beef Wellington every night for a pig king who would be just as happy eating apple cores. Equitable division of household labour has always had to contend with the fact that no husband on this earth was ever raised by Mary Passmore, hears her voice in his mind when he enters the grocery store or hunkers down to wax the baseboards. The phrase ‘slut’s wool’ isn’t in his vocabulary, or if it is it means something different. Alice Munro said that Engel ‘felt a need to be forthright [with interviewers], to show herself to them as fully human, dirty dishes, empty bottles and all’. But what she was displaying, perhaps, was the same principle of refusal that constituted both her defiance and her sense of humour. A sense of humour can be sad, after all, or sour, or a broad clowning gesture to the chaos behind you.”
-Patricia Lockwood, “Pull off my head.” The London Review of Books. August 12, 2021.
Patricia Lockwood is a God-damned treasure. There’s a good chance that this is the only book review you’ll ever read that’ll make you think, “A love story between a woman and a bear? Sure, why not?” And the writing! “Where is the taser for the reader’s balls?”, indeed!
I love this book. It is one of my favorites in the occult section of my library. It is valuable as a practical and historical tool. The book is an excellent guide for the beginning as well as experienced witch. I have never seen another book that has so many spells. Get this; […]
Sometimes, I see something on WordPress that makes me think strange thoughts. A book of 5,000 spells? If I cast one spell a day, that would take me over 13 years to cast them all. Maybe I should just chose the top 365 spells and do it for a year? What would a year of spellcasting be like? In my mind, I become the sorcerer’s apprentice, except sure in the knowledge that no one is going to save me.
“‘Wilson was an extraordinary artist, but his paintings were never published in a book during his lifetime,’ Elder said. ‘I want to bring more people to Wilson’s work, to introduce him on the world stage.'”
Indie Bookstore Finder is exactly what you’d expect it to be, and it covers the United States. Here’s one for the U.K. If anyone knows of others in other countries, I’d be interested in hearing about them in the comments.
“Get ready to ride off into the stars and charge into magical battles. We’ve teamed up with Tachyon to provide you with a bundle of imaginative digital sci-fi and fantasy books for your reading pleasure! Get ebooks like Ivory Apples by Lisa Goldstein, The Very Best of Caitlin by R. Kiernan, and Beyond Frankenstein by Mary Shelley.”
[Old Book Illustrations focuses on] Victorian and French Romantic illustrations—we understand French Romanticism in its broadest sense and draw its final line, at least in the realm of book illustration, at the death of Gustave Doré.
“Saving clippings this way turns each book into a time capsule. The next time I open one of these books, a paper treasure will fall out. A little surprise for my future self. (Or whoever else cracks it open.)”
Strangely, this even works when the time capsules are part of the creative product. I remember enjoying Ship of Theseus, largely for the meta-story and ephemera in the margins and added to the book. And, it also works when reading my own marginalia, years later. Adding clippings seems like a natural extension to capture the cultural moment.
“In the fall of 2009, as the age of blogs was already fading, I launched The Frailest Thing as a space to think out loud as I worked my way through a graduate program in technology studies. In the years since, I sought to think about the challenges posed by emerging technologies, particularly digital media, in light of insights offered by scholars and thinkers from a variety of disciplines, past and present. Lewis Mumford, Neil Postman, Hannah Arendt, Jacques Ellul, Ivan Illich, Langdon Winner, and Walter Ong are among the those whose work has informed my analysis and reflection as I sought to clarify the political, cultural, and moral consequences of technological change. Ten years and 800 posts later, it was time to bring the enterprise to a close.
What you have here are 100 dispatches spanning that decade of thinking and writing about how technology sustains, mediates, and conditions our experience. These are the essays that, in my view, have remained useful exercises in thinking about the meaning of technology. Prominent themes include the relationship of technology to politics, memory and time, ethics, and the experience of the self.
I’ve made the work available at no cost, you’re welcome to it. You are also able to pay whatever amount you like for it, should you so desire. Either way, if you find the work helpful, consider letting others know about it and rating the e-book here.